Suzanne van Rossenberg - The Business Case of Feminist or Queer Art
Creating the possibility to say no to the dominant hetero-normative economic and political structures of art. Or yes. But to least write a story about it that replaces an older one.
Feminist art and queer art have recently gained major visibility, but how does this create reliable positions for feminist and queer cultural practitioners to carry out their work? The historicisation of feminist art clashes with the political and economic position of artists, like myself, who have decided to operate within the space between art and feminist activism. My research raises the question whether the omission of the economic contextualisation and interpretation of art has hindered artists with minority backgrounds to have full and equal access to the multiple art worlds that characterise the global art scene; to money and recognition. It seeks to explore the relation between everyday feminisms, their economic structures and the function of feminist art practices by making deliberate intersections with LGBTI (lesbian, gay, bisexual, transgender, intersex) activism, emancipation and human rights advocacy. Repeatedly stepping in and out of artistic, activist and theoretical structures informs the (fragmented) creation of feminist or queer art spaces on either side; spaces that take the political and economic structures of art, art theory and feminisms into account, increase a network of audiences and improve the political and economic positions of feminist and queer cultural practitioners. Conclusively, my research aims to investigate whether transdisciplinary “methodologies” of queer or feminist art, art theory and institutional critique augment the “constituency” for feminist or queer art spaces. Contact: SV384@live.mdx.ac.uk